Hellion

   
Artist: Hellion

   Genre(s): 
Other
   

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Discography:


   
 Hellion

   Year:    
Tracks: 6

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Los Angeles grueling alloy band Hellion was founded in 1982 by vocalizer Ann Boleyn -- a self-willed and charismatic character whose singing abilities, it's broadly speaking agreed, were in reality jolly inferior to her repulse as an enterpriser, and talent for self-promotion. Somewhere between proclaiming that her linage reached back directly to the famously beheaded female monarch, and launching the New Renaissance label with the express purpose of cathartic Hellion's albums, Boleyn managed to insure that her band would revel quite a chip of notoriety, and fifty-fifty some bar of commercial success, throughout the eighties (disdain their comparatively infrequent and wildly discrepant turnout). This, as anyone mightiness expect, ab initio consisted of respective demos and a split individual with the likewise female-fronted Bitch, in the lead up to the passing of a six-song EP in 1983, at which point Boleyn, guitarists Ray Schenk and Alan Barlam, bassist Bill Sweet, and drummer Sean Kelly were organism managed by none other than Wendy Dio, wife of alloy legend Ronnie James Dio. They were also already grabbing headlines throughout the big metallic element rags thanks to Boleyn's aggressive self-mythologizing and shameful stunts like pull up to a gig at L.A.'s Troubadour in a cooler! (Although, to her credit, Boleyn rarely secondhand her sexuality as a marketing tool on the band's album covers.) Despite all this buzz, however, the group's musical talents had yet to attract whatsoever major labels, so later a few more age of thwarting and setbacks (including Barlam, Sweet, and Kelly's passing to shape Burn), Boleyn and Schenk took matters into their have men and released 1987's Screams in the Night album through their new launched New Renaissance imprint. They would do the same with the following year's Postcards from the Asylum EP and 1990's The Black Book LP (for which Boleyn literally authored a novel, as a companion spell) -- both of them recorded with parttime musicians and pronounced by unimpressive heavy tilt as anthemic as it was ridden with '80s metal clichés. Finally sexual climax to grips with the verdict of public indifference, Boleyn decided to recede Hellion at this point, refocusing her energies on running New Renaissance (by and then a hotbed for metro fastness metallic element acts) and releasing the group's "superlative hits" as the Up from the Depths ingathering in 1997. She has resurrected Hellion on occasion in the age since (well-nigh always with mate in criminal offence, Schenk), and releases include the Alive and Well in Hell LP (1999), The Witching Hour EP (2000), the Queen of Hell digest (2000), and the Volition Not Go Quietly LP (2003).





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