16B
Artist: 16B
Genre(s):
Dance
Discography:
Escape (Driving To Heaven) The Remixes
Year: 2006
Tracks: 3
 
Audrina Patridge
British actress KATE BECKINSALE and VICTORIA BECKHAM are playing matchmakers - they want to set their nine-year-old children up.
Beckinsale is not keen on her daughter Lily, nine, experimenting with boys when she is older - but wouldn't mind if she dated Beckham's eldest son Brooklyn.
She says, "I am dreading the day Lily brings home a boy. But she and the Beckham boys get on really well. So if she did have to have a boyfriend, then I suppose Brooklyn would get my seal of approval."
WILMER VALDERRAMA is to return to comedy TV - he's co-producing and starring in new series THE EMANCIPATION OF ERNESTO.
The actor rose to fame starring in That '70s Show alongside a young Ashton Kutcher and Mila Kunis, but the hit Fox programme came to an end in 2006 after an eight-year run.
But he has now signed a pilot deal to return to the Fox TV network with The Emancipation of Ernesto - about a naive man who struggles to avoid the temptations of Hollywood as he searches for his father, reports industry publication Variety.
LOS ANGELES - He was the comedian who actually said the seven words you can never say on television, but close friends and family members remembered George Carlin as a man who, when he was off stage, had only a kind word for everyone he met.
At a private memorial service Sunday attended by some 150 people - "That was as small as we could keep it," chuckled Carlin's daughter, Kelly Carlin McCall - her father was memorialized by comedians Bill Maher, Garry Shandling and others as someone who had no enemies, in part because he was nice to everyone he spoke to.
"What everyone said tonight is if you spent time with my father, whether it was five seconds or five hours, he was kind, attentive, very connected to you, compassionate," said Carlin's daughter.
Among those who spoke at the service, which was closed to the public and news media, was Shandling, who told of being a teenage college student when he sought out Carlin nearly 40 years ago.
"My dad read his material and encouraged him to continue on, which was a life-changing moment in Garry's life," McCall told The Associated Press after the service.
Overall, Carlin's daughter said, the service was a happy event, one presided over in part by her father himself, who spoke from a montage of video clips assembled from his 51-year career.
Carlin, who died June 22 of heart failure, recorded nearly two dozen albums, 14 HBO comedy specials, wrote three bestselling books and appeared in numerous movies and TV shows.
"It was a very, very light event, as he wanted it," McCall said of the two-hour service. "He wanted a lot of laughter. I'd say 90 per cent of it was laughing and just remembering what he brought to us in his funny way."
Although his standup routines were often filled with four-letter words - so many that early in his career Carlin was sometimes hauled off stage and taken to jail - his dead-on ability to highlight the absurdities of everyday life, and do so in such comical voices and faces, made his humour come across as anything but harsh.
And although famous for four-letter words, Carlin, 71, did not always use them. He was also Mr. Conductor on the children's show "Shining Time Station," Fillmore the hippie van in the 2006 children's movie "Cars," and the guest host of the first "Saturday Night Live" episode ever broadcast. That 1975 show was replayed by NBC on Saturday night in his honour.
There also was more to Carlin than just the comedian, said McCall, and that too was reflected at her father's funeral.
He loved music, and his service was attended by Kenny Rankin, who sang "Here's That Rainy Day," and Spanky McFarland of the 1960s pop group Spanky and Our Gang, who performed the song "Coming Home."
Other speakers included Carlin's older brother, Patrick, his partner, Sally Wade, and his former standup partner, Jack Burns. Carlin's wife, Brenda Hosbrook Carlin, died in 1997.
Carlin and Burns had met in 1960, and although they worked as a comedy duo only briefly they remained lifelong friends.
In an earlier AP interview, Burns recalled Carlin calling him several times a year to remind him of such things as the anniversary of the day they met, the day they did their first show together and, in one less-than-joyful incident, the day they were jailed for armed robbery in Texas in a case of mistaken identity.
That's just the sentimentalist he was, said McCall, who is Carlin's only child.
"He went out of his way to make sure friends and family members, if they needed anything, he was there for them," she said. "He was a complete man. He was more than just the seven words you can never say on television."
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On the Net:
http://www.tjcenter.org
http://www.americanheart.org
Concert promoter Live Nation has dismissed reports they are struggling to shift tickets to MADONNA's forthcoming world tour - stating fans have turned out in record numbers for a chance to see the superstar in concert.
The pop legend signed a money-spinning deal with Live Nation earlier this year (08), which will net her an estimated $120 million (GBP60 million) over the next 10 years.
However, reports in the New York Post suggested the singer was struggling to entice fans to see her Sticky + Sweet tour, with tickets failing to sell-out at certain venues.
But Live Nation refutes the claims, insisting over one million fans have already bought tickets to see the Material Girl star perform.
And the company is so sure they have a hit on their hands, they have announced that Madonna is set to smash her own record for the highest earning touring female artist - looking set to earn $55 million (GBP27.5 million) more than she did for her 2006 Confessions On A Dancefloor tour.
The healthy ticket sales for Madonna's tour allows the company to sigh a breath of relief after facing a barrage of speculation this month (Jun08) over whether they had overpaid to sign certain artists.
As well working in partnership with Madonna, Live Nation has signed groundbreaking multi-million tour and promotion deals with rockers U2 and hip hop heavyweight Jay-Z.
Got a troublesome neighbor? You are not alone. RottenNeighbor.com, a site where users can sound-off about local area residents whom they're not too happy with, was a hot Google search this morning, clocking in at No. 7 and 12 on the Hot list.
Rotten Neighbor, launched last summer, lets you search by city or ZIP code for all the noisy, annoying and rude neighbors listed in your area. For any given ZIP code, you can get more specific breakdowns of rude metrics, such as noise, safety and appearance.
Individual neighbor reports list the general vicinity of the culprits, a description of the complaint and the number of other users that agreed. In addition to text grievances, you can post videos and photos of ne'er-do-wells caught in the act. The map also displays such neighborhood party poopers as registered sex offenders and foreclosed homes.
Listings near the Los Angeles Times Building include "barking dog" and "psychopath upstairs."
The site also lets you log reports for good neighbors, which appear in green on the map. However, there aren't yet many commendations listed in Los Angeles (besides the Cunninghams -- great people). A utility for praising your neighbors somehow doesn't seem quite as useful.
The sudden increased traffic to Rotten Neighbor seems to be taking its toll on the site's servers, causing slow page loads and sometimes error messages. People checking to see if friends, family members or they themselves made the list may have to wait until the stampede dies down.
-- Mark Milian, guest blogger/intern
International Symposium to Examine Impact of Music on Health, Wellness and
Amy Winehouse may not be the only female British popwreck diagnosed with early signs of what could be emphysema!

LOS ANGELES —
More than $250,000 in prizes were announced Sunday after a weeklong competition that mingled features from "American Idol" with the world of classical music.
Top prizes of $50,000 in the Jose Iturbi International Music Competition were awarded to soprano Angela Meade, 30, a resident artist at Philadelphia's Academy of Vocal Arts, and pianist Mariya Kim, 26, of the Ukraine and Germany. Kim also shared the $3,000 Spanish Prize.
The second annual contest, held at the University of California, Los Angeles, featured musicians from around the globe.
The competition's sponsoring Jose Iturbi Foundation is named for the renowned concert pianist who appeared in several MGM musicals in the 1940s. It is dedicated to preserving Iturbi's legacy and to fulfilling his desire to bring emerging classical pianists and vocalists to the public's attention.
"The talent of this year's competitors was staggering," said Donelle Dadigan, the foundation's president. "Interest in the final rounds was so intense that hundreds of people lined up in hope there would be last minute cancellations."
The $3,000 People's Choice award for piano was given to Chetan Tierra, 24, a student at the Cleveland Institute of Music. The People's Choice award in the vocal competition was given to Rodell Rosel, 32, a native of the Philippines who has studied at Santa Monica College and UCLA.
In addition to their $50,000 in first-place prize money, vocalist Meade and pianist Kim will perform during a cruise aboard the Queen Mary 2 next April.
Have you noticed how many artists seem poised for disaster? Much of the work I've been seeing lately at the galleries radiates unease about the condition of life on planet Earth. The latest shows at Platform Gallery and Howard House are a case in point, with drawings and sculptures that convey a simmering apprehension about where we're headed, as humans and as citizens of the United States. To balance the angst, there's some quirky humor out there, too — I'll get back to that.
In Patte Loper's latest work at Platform, a drawing show called "A Peculiar Brightness in the Sky," she uses the trope of Antarctic exploration to convey a sense of barely restrained desolation. For one series, she drew improvised shelters that stand as tenuous barriers against a wilderness of ice. With an apocalyptic sky behind them, they seem about as safe as life rafts adrift on the open ocean.
The way humans cobble their little constructions onto an unsympathetic planet is Loper's terrain. In a gallery handout, she references 19th-century critic John Ruskin and his notion of the "pathetic fallacy," that is, our way of projecting emotional attributes onto the natural world, imbuing it with our own feelings. Loper embraces the concept. You can empathize with her little constructs as individuals, hanging on alone in a barren emotional landscape. Or, as I prefer, as broader metaphors for the increasing discomfort human beings feel with the rhythms of the natural world — and that includes our own natures.
That's what I love about her grand diptych drawing "Observation Deck for a Bottomless Pit." The structure is a chic viewing lounge complete with modern furniture, sculptures, mineral "specimens" and potted plants. It seems to somehow be set into a vertical cross section of a mountain peak that reminds me of Mount St. Helens. As far as I can tell, it exists as part of some crazy mind-set. All the comfort and style of that viewing platform are separated from a bottomless abyss by a little stanchion with lax ropes, like you'd find in front of a museum display. Yeah: I'd have to say that pretty much sums up my own feeling of anxiety about the state of our environmental, economic and political situation. Something like fiddling while Rome burns.
Loper's show follows another strong exhibition at Platform that crackled with environmental concern. A three-artist show, "Eden's on Fire," introduced the work of Brooklyn artist Michael Schall, who, interestingly, gravitated to a similar volcano and abyss symbology, but with his own witty and endearing style.
For a little added humor this time around, don't leave Platform without getting a guided tour of Marc Dombrosky's totally weird and hilarious little installation in the back-office area of the gallery. There is embroidery. And found stuff. Beyond that, I'll say no more.
A jolting context
A few blocks away at Howard House, Jon Haddock gets more literal with his imagery in "Automata," a group of meticulously crafted, hand-operated papier-mâché and wood sculptures. When cranked, they repeat acts of brutality that we've already had pounded into our psyches by a barrage of recent news stories. Tasering, humiliation, rape, torture unto death — you'll recognize the stories. Do we need to see them again?
Considering Haddock's presentation, I'd say yes. His choice of a lighthearted, toylike medium puts the horror of the images into a context that jolts. It's easy to get thick-skinned about the news, cooking dinner while watching reports of carnage and mayhem. Haddock's artworks carry an undeniable burden of collective shame with them. This is the face of our country. What the rest of the world knows about us and what our children grow up watching.
Sigh.
Fun in the vignettes
But there are other facets to our culture, of course. To lift your spirits, race down to Grover/Thurston Gallery and spend some time with the surreal vignettes that are Gene Gentry McMahon's paintings. (The show ends Saturday; don't put it off.)
McMahon's been out of the gallery scene for a decade, but hasn't changed her approach. She still paints dreamlike accumulations of people scattered about like stones on a beach, each absorbed in his/her own obscure rituals, as though nobody else existed. In the big triptych "Cry Me a River," everybody is hanging out up to their armpits in some body of water, many of them clutching plastic water bottles. Each is busily engaged and seemingly oblivious to all else, like people on cellphones. I kept finding myself giggling.
Each scene is different, but you may spot recurring motifs. What's with that odd little dog? Can a water fountain create anxiety? Here, you'll have fun.
Sheila Farr: sfarr@seattletimes.com
A reported 100,000 fans and one Greatest MC of All Time, holding a ... guitar? Jay-Z commanding a huge crowd is a sight we've grown accustomed to over the past decade-plus, but doing it with a guitar strapped to his shoulder is a new one. Sir Hov of Brooklyn headlined the Glastonbury Festival on Saturday, and one of the highlights was Jay doing his own rendition of Oasis's "Wonderwall."
"Today is gonna be the day/ That they're gonna throw it back to you/ By now, you should've somehow/ Realized what you gotta do."
Of course, all of this was in response to Oasis leader Noel Gallagher's comments criticizing Jay as headliner of the traditionally rock-based festival.
"That's my sense of humor," Jay told MTV Base. "I have a sense of humor like a Brit, so I thought people would appreciate that. Noel Gallagher was one of the biggest detractors so I figured that was a cool way to start the show."
A few weeks back, Gallagher had scoffed at the announcement of Jay's headlining slot.
"If it ain't broke don't fix it," the Oasis guitarist told the BBC. "I'm sorry, but Jay-Z? No chance. Glastonbury has a tradition of guitar music. I'm not having hip-hop at Glastonbury. It's wrong."
"It didn't make me angry because I don't know him," Jay told MTV Base. "What people say about you is none of your business." Jay also said he plays "Wonderwall" a lot at his 40/40 Club on Friday nights and it always goes over well with the crowd — that's how he knew the words so well.
However, when it came to fellow Glastonbury performer Amy Winehouse's dis towards Jay's friend Kanye West, the Jiggaman quipped he wanted to make peace.
"She said something about Kanye late on [in her set] but I didn't hear it," he said. "I don't agree with it. He's my brother and the biggest artist on Roc-A-Fella right now. ... I guess I should hook them up because he's a great guy, too. I don't know what the problem is. I don't know where that came from."
But even with the mild bit of controversy, nothing could overshadow Jay's night. The performance has been lauded by critics and footage on the Internet shows that the fans were heavily into it as well.
"It went amazing," Jay beamed. "It was a historic night for Glastonbury and for myself. It's the first time a hip-hop act had headlined. It was one of those nervous moments right before I went on and I haven't had that feeling in a long time. In front of [100,000] people, it was this great thing."
"Of course," he continued when asked if he would come back. "It was incredible. I'm glad it went that way, 'cause the world was watching. ... We get sounds from all over the world. It's the universal language. It's not about genres. It's about good music and bad music. There's sh-- rap music, sh-- rock and roll, bullsh-- country music and there's horrible jazz. There's brilliant jazz — Miles Davis! Brilliant rock — Coldplay. And there's brilliant rap — Jigga!"
See Also
Former LAW + ORDER star ANGIE HARMON has become a board member at a Rape Treatment Centre in California to speak out against sex crimes and help victims.
The actress has joined the clinic at the Santa Monica-UCLA Medical Center in a bid to use her fame to raise awareness of anti-rape campaigns across America and help raise funds.
Harmon insists her decision to join the movement to help eradicate sexually-motivated attacks as she fears for the safety of her two young daughters with husband Jason Sehorn, Finley, four, and Avery, two.
She says, "The act of rape is barbaric. that it's still going on is appalling. It's still so prevalent, and I have two daughters. To have the centre go nationwide would be my ultimate dream.
"Awareness is part of the battle."
Actress TORI SPELLING's husband DEAN MCDERMOTT is already dreading his newborn daughter's teenage years - and has vowed to be an overbearing and overprotective father.
The couple welcomed their second child, Stella Doreen, into the world at a Los Angeles hospital earlier this month (09Jun08).
Stella is MCDermott's first daughter and he admits raising a little girl has given him a new perspective on parenting.
He says, "She's 10-days-old, and I'm already worried about when she'll start to date. She's so beautiful. Her dating life is going to be terrible. I'm going to scrutinize every boy that comes to the door."
Will Amy Winehouse ever learn? Earlier this week, the troubled singer was right back to smoking immediately after leaving the hospital, where doctors had diagnosed her with scarring on her lungs that could develop into the incurable disease emphysema. And then today, the Grammy winner was spotted stocking up on alcohol at a London store.
According to witnesses, Amy had been to Pentonville Prison to visit her imprisoned husband, Blake Fielder-Civil � who is nominated for Villain of the Year (So Far) in OK!'s Half-Year in Review Reader's Poll � on Thursday morning.
And then after seeing her locked-up lover, the singer immediately popped into a local store where she purchased some snacks � and at least three different mini-bottles of liquor!
(photo: Fame Pictures)
Following her brief shopping spree, it was off to rehearsal for Amy, who is scheduled to perform at London's Hyde Park tomorrow for Nelson Mandela's 90th birthday celebration.
See Also
Coldplay have postponed their forthcoming tour of North America, citing production issues as the reason for the delay.
Former KORN star BRIAN `HEAD' WELCH is set to return to the limelight with a new solo album after taking a religious sabbatical from the music industry.
The guitarist stunned the rock world when he walked away from Korn in 2005, explaining he needed to care for his daughter, Jennea, as a single father and commit to his faith after becoming a born-again Christian.
But Welsh returned to the recording studio last year and his debut solo record, Save Me From Myself, will be released in September (08) on Driven Music Group - the label he co-founded.
The album features David Bowie and Peter Gabriel's long-serving session musician Tony Levin and A Perfect Circle star Josh Freese.
Welch says, "I'm really excited about getting my music out there to my fans. I literally poured everything I had into Save Me From Myself, and I know it's gonna inspire a lot of people.
"It's been a long time since I've connected with people musically, and now that the wounds have healed from my past addictions, I'm ready to feel the magic again."
LOS ANGELES —
Leonard Pennario, a Grammy-winning pianist and best-selling classical recording artist, has died. He was 83.
Pennario died Friday at his home in San Diego of complications from Parkinson's disease, said his biographer, Mary Kunz Goldman.
Pennario won a Grammy in the 1960s for his work with violinist Jascha Heifetz and cellist Gregor Piatigorsky.
He was a passionate performer who enjoyed playing in front of audiences, said Kunz Goldman.
"'You have to play for the people; you have to play for an audience,'" she recalled Pennario saying. "'You can't just go into the studio and make records, you know?'"
Born in Buffalo on July 9, 1924, Pennario was 10 when he and his family moved to Los Angeles. At age 12, he learned the Grieg Concerto in a week so he could perform it from memory with the Dallas Symphony Orchestra.
Pennario never attended a music conservatory but at 19 made his debut at Carnegie Hall with the New York Philharmonic.
He made more than 40 recordings for the Capitol record label between 1950 and 1960. He went on to make more than 20 more for other labels.